net
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radio
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days
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berlin
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'trimm dich'
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06.06. - 10.06.
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introduction schedule linklist map/locations supporters contact do the path programm.de mikro.org |
introduction
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NET.RADIO.DAYS'98 BERLIN : TRIMM DICH
first international meeting of experimental Internet-Radio-Projects in Berlin June 6. - 10. 1998
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in net.radiodays '98
- Pararadio, Budapest, http://www.c3.hu/para/live.ram - Radio Ozone, Riga, http://ozone.re-lab.net/live.ram - radio qualia, Sydney, http://www.va.com.au/radioqualia - Backspace Radio, London, http://www.backspace.org/radio/live.ram - Goethe House, Tokio, http://anarchy.k2.tku.ac.jp - KunstRadio, Vienna, http://thing.at/orfkunstradio - Radio Student, Ljubljana, http://www.radiostudent.si/mzx/live.ram - B92, Belgrad, http://www.xs4all.nl/~opennet/audio/live_feed.ram - Freies Radio, Kassel, http://141.51.92.13/sonic - mikro e.V., Berlin, http://www.mikro.org - convex tv., Berlin, http://www.art-bag.org/convextv - XLR, Berlin,http://www.iflugs.hdk-berlin.de/~xlr - Radio Internationale Stadt, Berlin, http://www.icf.de/RIS more projects: http://xchange.re-lab.net/urlf.html More participants have been asked to join or have already announced their participationt. |
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of net.radiodays '98
1) the economy of net.radio ranges from the realms of hobbyism, pirate radio and the likes to well institutionalized practices in the boundaries of political and art-institutions. (with the latter trying to embrace independent activities - as seen in the ICA-incident.) how can net.radio be organized? different individuals and groups have developed different ideas and methods of organization and funding. exchange might bring some insights about media activism under a variety of conditions. 2) the different politics of net.radio are strongly dependent on the motivations of its creators. there are radio pirates, commercial digital broadcasters, real audio archivars and sound afficionados out there, all trying to find out what net.radio could be now and in the future. there is a wide range from performance to new forms of digital dj-culture to various hybrid forms that mix sound-archives, live-streams, text and image, which brings us to: 3) net.radio is - as already pointed out - an extraordinary bad term for the strange hybrid technologies and aesthetics that form sound on the net. on the one hand live-streams seem to bring a certain radio-quality into the net, on the other hand there are multitudes of real-audio- and midi-archives (to name only a few) that resemble databases rather than good old radio. last but not least there have been experiments within the Xchange community, that brought about a new form of performing collectively and live, trying to expand the boundaries of the medium. the following discussions showed that this newly created open space is not yet defined and asks for more questions than it solves. nevertheless those forms have their roots in aesthetic and technical experiences with archaic technologies before those golden days of net.radio. maybe the right time to open our history databases... this collection of topics can be expanded in any direction or be compressed into a dense discussion-as-you-like. |